Georg Petermichl

Universal Thoughts (Petrified), 2014/2023, digital print from diapositive, 152,5 × 229 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Petrified, 2023

Universal Thoughts (Vater), 2006/2023, analogue, hand enlarged C-Print, 200 × 154 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Vater, 2023

Universal Thoughts (Mutter), 2004/2023 analogue, hand enlarged C-print, framed with 70% antireflection coated Mirogard glass, 158 × 195,5 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Mutter, 2023

Universal Thoughts (Akt), 2015/2023, oil pastel on plastic on aluminum, tape and ­silicon, 80 × 60 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Akt, 2023

Universal Thoughts (Stars and Stripes), 2013/2023, analogue, hand enlarged C-Print, 164 × 103 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Stars and Stripes, 2023

Universal Thoughts (After Kühn), 2009/2023, C-print, 192 × 123 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

After Kühn 3, 2023

Gertraud Petermichl: Ärger über den gefällten Baum (Universal Thoughts), 2002/2023, C-print, framed with 70% antireflection coated Mirogard glass, 158 × 106,5 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Baum, 2023

Dieter Petermichl: Sunrise Experience (Universal Thoughts), 1993/2022, C-print framed with 70% antireflection coated Mirogard glass, 158 × 106,5 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Sunrise Experience, 2023

Whatnot, 2023, glazed ceramic, 48 x 80 x 36 cm. © Wonnerth Dejaco and the artist. Foto: Peter Mochi

Whatnot, 2023

Georg Petermichl, Clash II, 2020, ceramics, glass, steel, wood, pigment print on WhiteBack paper, 170 × 80 × 54 cm, © Wonnerth Dejaco and the artist, photo: Peter Mochi

Clash II, 2020

Georg Petermichl, Clash IV, 2020, ceramics, glass, wood, pigment print on WhiteBack paper, 213 × 32 × 36 cm, © Wonnerth Dejaco and the artist, photo: Peter Mochi

Clash IV, 2020

Georg Petermichl, nail, 2020, ceramics, wood, 132 × 20 × 20 cm, and sign, 2020, neon tubes, steel, electrics, 65.5 × 65.5 × 8 cm, installation view, Wonnerth Dejaco 2020, © Wonnerth Dejaco and the artist, photo: Peter Mochi

Installation view

Georg Petermichl, key, 2020, fluorescent tube, acrylic glass, electrics, metal, 183 × 52 × 9 cm, © Wonnerth Dejaco and the artist, photo: Peter Mochi

key, 2020

Georg Petermichl, Universal Thoughts #43, 2020, Photogram, 31.5 × 41.5 cm, © Georg Petermichl

Universal Thoughts #43, 2020

Georg Petermichl, Bags 1986-2004 #3 (Together) of 293 (1986), 2018, hand enlarged from medium format negative, mounted on PVC, 112 × 96 cm, edition 2+1, Photo: Peter Mochi

Bags #3 (Together), 2018

Georg Petermichl, Bags 1986-2004 #3 (Together) of 293 (1986), 2018, Lambda-Print, 49 × 42 cm (53 × 44 cm framed with Museum Glass) — 1200 €

Bags #3 (Together), 2018

Georg Petermichl, Bags 1986-2004 #43 (Stoff) of 293 (1989), 2018, hand enlarged from medium format negative, mounted on PVC, 112 × 96 cm, edition 2+1, Photo: Peter Mochi

Bags #43 (Stoff), 2018

Georg Petermichl, Bags 1986-2004 #43 (Stoff) of 293 (1989), 2018, Lambda-Print, 49 × 42 cm (53 × 44 cm framed with Museum Glass), Photo: Peter Mochi

Bags #43 (Stoff), 2018

Georg Petermichl, Bags 1986-2004 #137 (Marl) of 293 (1996), 2018, hand enlarged from medium format negative, mounted on PVC, 112 × 96 cm, edition 2+1, Photo: Peter Mochi

Bags #137 (Marl), 2018

Georg Petermichl, Bags 1986-2004 #137 (Marl) of 293 (1996), 2018, Lambda-Print, 49 × 42 cm (53 × 44 cm framed with Museum Glass), Photo: Peter Mochi

Bags #137 (Marl), 2018

Georg Petermichl, installation view, Fotohof Salzburg 2018, Photo: Peter Mochi

Installation view, 2018

Georg Petermichl, Jean (from the series Internorm, 2015–), 2018, hand enlarged from large format negative, 80 × 100 cm, Photo: Peter Mochi

Jean, 2018

Georg Petermichl, O.T. (After Pirelli, Manfred), 2016/2018, Lambda-print, framed with mirror-coated spacer, 80 × 120 cm, ed. Fotohof Salzburg 2+1, Photo: Peter Mochi

O.T. (After Pirelli, Manfred), 2016/2018

Georg Petermichl, Laynard (from the series Schluesselwerke/key works, 2011–), 2017, text on lanyard, 2 key copies, 900 cm, Photo: Peter Mochi

Laynard, 2017

Georg Petermichl, Key, 2017, LED, acrylic glass, metal, 120 × 46 × 20 cm, installation view, New Jörg, Vienna 2017, Photo: Peter Mochi

Key, 2017

Georg Petermichl, vase Ai Wei Wei color, 2017, hand enlarged C-print from medium format negative, mounted on PVC, 49 × 42 cm (53 × 44 cm framed with Museum Glass), edition 3+1, Photo: Peter Mochi

vase Ai Wei Wei color, 2017

Georg Petermichl, vase Judd shape, 2017, hand enlarged on baryta, mounted on PVC, 49 × 42 cm (53 × 44 cm framed with Museum Glass), edition 3+1, Photo: Peter Mochi

vase Judd shape, 2017

Georg Petermichl, vase Texas color, 2017, hand enlarged C-print from medium format negative, mounted on PVC, 49 × 42 cm (53 × 44 cm framed with Museum Glass), edition 3+1, Photo: Peter Mochi

vase Texas color, 2017

Georg Petermichl, vase Texas vessel, 2017, hand enlarged on baryta, mounted on PVC, 49 × 42 cm (53 × 44 cm framed with Museum Glass), edition 3+1, Photo: Peter Mochi

vase Texas vessel, 2017

Georg Petermichl, Shelf, 2017, detail: private library Donald Judd, Marfa, compartment „Universe“ with 21 books, 104 × 70 × 40 cm, installation view, New Jörg, Vienna 2017, Photo: Peter Mochi

Shelf, 2017

Georg Petermichl, installation view, SIDESHOWBOB, Tiroler Künstlerschaft, 2015, Photo: Georg Petermichl

Installation view, 2015