Saskia Te Nicklin, Untitled, 2022, oil pastel on plastic on aluminum, tape and ­silicon, 80 × 60 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Untitled, 2022
Saskia Te Nicklin, Blabber Pink Mouth, 2022, wood glue, silicon, tape, graphite, ink on aluminum, 80 × 100 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Blabber Pink Mouth, 2022
Saskia Te Nicklin, I Bring You the Motions, but Without The Emotions, installation view, Wonnerth Dejaco, Vienna 2022. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Installation view
Saskia Te Nicklin, I Bring You the Motions, but Without The Emotions, installation view, Wonnerth Dejaco, Vienna 2022. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Installation view
Saskia Te Nicklin, I Bring You the Motions, but Without The Emotions, installation view, Wonnerth Dejaco, Vienna 2022. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Installation view
Saskia Te Nicklin, Lovers in the Green, 2022, metal lacquer on aluminum, plastic, tape, digital print on adhesive foil, 125 × 250 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Lovers in the Green, 2022
Saskia Te Nicklin, Come with me, I'll show you a secret, 2022, wood glue, oil pastel, ink, plastic, graphite on aluminum, 60 × 80 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Come with me..., 2022
Saskia Te Nicklin, blabber maggot mouth, 2022, wood glue, graphite, ink, plastic and sticker tape on aluminum, 80 × 100 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
blabber maggot mouth, 2022
Saskia Te Nicklin, Family Portrait, 2022, charcoal on paper on plastic, 70 × 50 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Family Portrait, 2022
Saskia Te Nicklin, Awww, 2022, wood glue, graphite, oil pastel, ink and silicon on aluminum, 80 × 60 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Awww, 2022
Saskia Te Nicklin, Stomping it good, 2022, charcoal on paper on plastic, 70 × 50 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Stomping it good, 2022
Saskia Te Nicklin, Soft Bones, 2022, wood glue, plastic, tape, ink, oil pastel and ­silicon on aluminum, 100 × 80 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi
Soft Bones, 2022
Saskia Te Nicklin, untitled, 2018, wood glue, graphite, marker pen, aluminum tape, aluminum plates, 250 x 125 cm. Installation view, Zina Gallery, Cluj-Napoca 2023. Courtesy of Zina Gallery and the artist. Photo: YAP Studio / Mădălin Mărgăritescu
Saskia Te Nicklin
Saskia The Nicklin, “what the heck is that anyways?”, 2022, pencil on paper, 15 x 20 cm. Photo: YAP Studio / Mădălin Mărgăritescu
Saskia Te Nicklin
Saskia Te Nicklin, untitled, 2022, pencil on paper, 15 x 20 cm. Photo: YAP Studio / Mădălin Mărgăritescu
Saskia Te Nicklin
Sticks and Bones, 2022, pencil on paper, 20.5 × 14.5 cm
Sticks and Bones, 2022
Embrace It, 2022, oil pastel on plastic on aluminum, 60 × 80 cm
Embrace It, 2022
Influenza Influencer in Flatulence, 2022, pencil on paper, 14.5 × 20.5 cm
Influenza Influencer …, 2022
Goomba Brunch, 2022, pencil on paper. 14.5 × 20.5 cm
Goomba Brunch, 2022
TikTok Class, 2020, watercolor on paper, 30 × 40 cm
TikTok Class, 2020
Crying Class, 2020, watercolor on paper, 30 × 40 cm
Crying Class, 2020
Untitled, 2019, aluminum, plastic debris, ink, pencil, wood glue, contact lenses, silicone, 100 x 80 cm. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano
Untitled, 2019
Comfortably Bored, 2019, aluminum, plastic, printed plastic foil, ink, marker pens, 80 × 60 cm. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano
Comfortably Bored, 2019
Untitled, 2019, plastic, plexiglas, pencil, marker pens, silicone, 80 × 60 cm. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano
Untitled, 2019
Inheritance, 2019, aluminum, wood glue, ink, pencil, plexiglas, 80 × 60 cm. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano
Inheritance, 2019
Doing My Own Skin, 2019, aluminum, ink, printed plastic foil, 250 × 125 cm. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano
Doing My Own Skin, 2019
Untitled, 2019, aluminum, plastic flowers, printed plastic foil, 250 x 125 cm. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano
Untitled, 2019
Expelled Humans, 2018, guache on paper, 70 x 50 cm. Installation view, Saskia Te Nicklin, Ham-fisted Garden Party, VIN VIN at Ruyter, Vienna 2018. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano.
Expelled Humans, 2018
Saskia Te Nicklin, Ham-fisted Garden Party, installation view, VIN VIN at Ruyter, Vienna 2018. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano
Ham-fisted Garden …, 2018
Saskia Te Nicklin, Ham-fisted Garden Party, installation view, VIN VIN at Ruyter, Vienna 2018. Courtesy of the artist and VIN VIN. Photo: Flavio Palasciano
Ham-fisted Garden …, 2018
Saskia Te Nicklin, the garden, some leftovers, and us swaying, installation view, Kunstraum Schwaz, 2018. Courtesy of the artist and Kunstraum Schwaz. Photo: Verena Nagl
the garden …, 2018

Related News

  • 18 November 2023, Saskia Te Nicklin, HØST A Contrafactual Exhibition (group show), Carl-Henning Pedersen & Else Alfelts Museum, DK

  • 29 September 2023, Saskia Te Nicklin,  What’s Love Got  To Do With It  (group show), Mz. Balthazar‘s Lab, Vienna, AT

  • 16 September 2023, Saskia Te Nicklin (drawings), release party of LiebeRuth, vol. #39, at Neuer Kunstverein Wien, AT

  • 26 May—15 July 2023, Katharina Höglinger, Saskia Te Nicklin and Constanze Schweiger in All Work and Time and Care (group exhibition), a collaboration between Wonnerth Dejaco and Zina Gallery, at Zina Gallery, Cluj-Napoca, RO

  • 12 February—16 April, 2023, Saskia Te Nicklin, Høst, group show, Den Frie Center of Contemporary Art, DK