Saskia Te Nicklin

Saskia Te Nicklin, Untitled, 2022, oil pastel on plastic on aluminum, tape and ­silicon, 80 × 60 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Untitled, 2022

Saskia Te Nicklin, Blabber Pink Mouth, 2022, wood glue, silicon, tape, graphite, ink on aluminum, 80 × 100 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Blabber Pink Mouth, 2022

Saskia Te Nicklin, I Bring You the Motions, but Without The Emotions, installation view, Wonnerth Dejaco, Vienna 2022. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Installation view

Saskia Te Nicklin, I Bring You the Motions, but Without The Emotions, installation view, Wonnerth Dejaco, Vienna 2022. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Installation view

Saskia Te Nicklin, I Bring You the Motions, but Without The Emotions, installation view, Wonnerth Dejaco, Vienna 2022. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Installation view

Saskia Te Nicklin, Lovers in the Green, 2022, metal lacquer on aluminum, plastic, tape, digital print on adhesive foil, 125 × 250 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Lovers in the Green, 2022

Saskia Te Nicklin, Come with me, I'll show you a secret, 2022, wood glue, oil pastel, ink, plastic, graphite on aluminum, 60 × 80 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Come with me..., 2022

Saskia Te Nicklin, blabber maggot mouth, 2022, wood glue, graphite, ink, plastic and sticker tape on aluminum, 80 × 100 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

blabber maggot mouth, 2022

Saskia Te Nicklin, Family Portrait, 2022, charcoal on paper on plastic, 70 × 50 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Family Portrait, 2022

Saskia Te Nicklin, Awww, 2022, wood glue, graphite, oil pastel, ink and silicon on aluminum, 80 × 60 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Awww, 2022

Saskia Te Nicklin, Stomping it good, 2022, charcoal on paper on plastic, 70 × 50 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Stomping it good, 2022

Saskia Te Nicklin, Soft Bones, 2022, wood glue, plastic, tape, ink, oil pastel and ­silicon on aluminum, 100 × 80 cm. © Wonnerth Dejaco and the artist. Photo: Peter Mochi

Soft Bones, 2022

Saskia Te Nicklin, untitled, 2018, wood glue, graphite, marker pen, aluminum tape, aluminum plates, 250 x 125 cm. Installation view, Zina Gallery, Cluj-Napoca 2023. Courtesy of Zina Gallery and the artist. Photo: YAP Studio / Mădălin Mărgăritescu

Saskia Te Nicklin

Saskia The Nicklin, “what the heck is that anyways?”, 2022, pencil on paper, 15 x 20 cm. Photo: YAP Studio / Mădălin Mărgăritescu

Saskia Te Nicklin

Saskia Te Nicklin, untitled, 2022, pencil on paper, 15 x 20 cm. Photo: YAP Studio / Mădălin Mărgăritescu

Saskia Te Nicklin

Sticks and Bones, 2022, pencil on paper, 20.5 × 14.5cm

Sticks and Bones, 2022

Embrace It, 2022, oil pastel on plastic on aluminum, 60 × 80 cm

Embrace It, 2022

Influenza Influencer in Flatulence, 2022, pencil on paper, 14.5 × 20.5 cm

Influenza Influencer …, 2022

Goomba Brunch, 2022, pencil on paper. 14.5 × 20.5 cm

Goomba Brunch, 2022

TikTok Class, 2020, watercolor on paper, 30 × 40 cm

TikTok Class, 2020

Crying Class, 2020, watercolor on paper, 30 × 40 cm

Crying Class, 2020

Untitled, 2019, aluminum, plastic debris, ink, pencil, wood glue, contact lenses, silicone, 100 x 80 cm. Courtesy the artist and VIN VIN. Photo: Flavio Palasciano

Untitled, 2019

Comfortably Bored, 2019, aluminum, plastic, printed plastic foil, ink, marker pens, 80 × 60 cm. Courtesy the artist and VIN VIN. Photo: Flavio Palasciano

Comfortably Bored, 2019

Untitled, 2019, plastic, plexiglas, pencil, marker pens, silicone. Courtesy the artist and VIN VIN. 80 × 60 cm, Photo: Flavio Palasciano

Untitled, 2019

Inheritance, 2019, aluminum, wood glue, ink, pencil, plexiglas. Courtesy the artist and VIN VIN. 80 × 60 cm, Photo: Flavio Palasciano

Inheritance, 2019

Doing My Own Skin, 2019, aluminum, ink, printed plastic foil, 250 × 125 cm. Courtesy the artist and VIN VIN. Photo: Flavio Palasciano

Doing My Own Skin, 2019

Untitled, 2019, aluminum, plastic flowers, printed plastic foil, 250 x 125 cm. Courtesy the artist and VIN VIN. Photo: Flavio Palasciano

Untitled, 2019

Expelled Humans, 2018, guache on paper, 70 x 50 cm. Installation view, Saskia Te Nicklin, Ham-fisted Garden Party, VIN VIN at Ruyter, Vienna 2018. Courtesy the artist and VIN VIN. Photo: Flavio Palasciano.

Expelled Humans, 2018

Saskia Te Nicklin, Ham-fisted Garden Party, installation view, VIN VIN at Ruyter, Vienna 2018. Courtesy the artist and VIN VIN. Photo: Flavio Palasciano

Ham-fisted Garden …, 2018

Saskia Te Nicklin, Ham-fisted Garden Party, installation view, VIN VIN at Ruyter, Vienna 2018. Courtesy the artist and VIN VIN. Photo: Flavio Palasciano

Ham-fisted Garden …, 2018

Saskia Te Nicklin, the garden, some leftovers, and us swaying, installation view, Kunstraum Schwaz, 2018. Courtesy the artist and Kunstraum Schwaz. Photo: Verena Nagl

the garden …, 2018