Georg Petermichl

Georg Petermichl, Clash II, 2020, ceramics, glass, steel, wood, pigment print on WhiteBack paper, 170 × 80 × 54 cm, © Wonnerth Dejaco and the artist, photo: Peter Mochi

Clash II, 2020

Georg Petermichl, Clash IV, 2020, ceramics, glass, wood, pigment print on WhiteBack paper, 213 × 32 × 36 cm, © Wonnerth Dejaco and the artist, photo: Peter Mochi

Clash IV, 2020

Georg Petermichl, nail, 2020, ceramics, wood, 132 × 20 × 20 cm, and sign, 2020, neon tubes, steel, electrics, 65.5 × 65.5 × 8 cm, installation view, Wonnerth Dejaco 2020, © Wonnerth Dejaco and the artist, photo: Peter Mochi

Installation view

Georg Petermichl, key, 2020, fluorescent tube, acrylic glass, electrics, metal, 183 × 52 × 9 cm, © Wonnerth Dejaco and the artist, photo: Peter Mochi

key, 2020

Georg Petermichl, Universal Thoughts #43, 2020, Photogram, 31.5 × 41.5 cm, © Georg Petermichl

Universal Thoughts #43, 2020

Georg Petermichl, Bags 1986-2004 #3 (Together) of 293 (1986), 2018, hand enlarged from medium format negative, mounted on PVC, 112 × 96 cm, edition 2+1, Photo: Peter Mochi

Bags #3 (Together), 2018

Georg Petermichl, Bags 1986-2004 #3 (Together) of 293 (1986), 2018, Lambda-Print, 49 × 42 cm (53 × 44 cm framed with Museum Glass), Photo: Peter Mochi

Bags #3 (Together), 2018

Georg Petermichl, Bags 1986-2004 #43 (Stoff) of 293 (1989), 2018, hand enlarged from medium format negative, mounted on PVC, 112 × 96 cm, edition 2+1, Photo: Peter Mochi

Bags #43 (Stoff), 2018

Georg Petermichl, Bags 1986-2004 #43 (Stoff) of 293 (1989), 2018, Lambda-Print, 49 × 42 cm (53 × 44 cm framed with Museum Glass), Photo: Peter Mochi

Bags #43 (Stoff), 2018

Georg Petermichl, Bags 1986-2004 #137 (Marl) of 293 (1996), 2018, hand enlarged from medium format negative, mounted on PVC, 112 × 96 cm, edition 2+1, Photo: Peter Mochi

Bags #137 (Marl), 2018

Georg Petermichl, Bags 1986-2004 #137 (Marl) of 293 (1996), 2018, Lambda-Print, 49 × 42 cm (53 × 44 cm framed with Museum Glass), Photo: Peter Mochi

Bags #137 (Marl), 2018

Georg Petermichl, installation view, Fotohof Salzburg 2018, Photo: Peter Mochi

Installation view, 2018

Georg Petermichl, Jean (from the series Internorm, 2015–), 2018, hand enlarged from large format negative, 80 × 100 cm, Photo: Peter Mochi

Jean, 2018

Georg Petermichl, Laynard (from the series Schluesselwerke/key works, 2011–), 2017, text on lanyard, 2 key copies, 900 cm, Photo: Peter Mochi

Laynard, 2017

Georg Petermichl, Key, 2017, LED, acrylic glass, metal, 120 × 46 × 20 cm, installation view, New Jörg, Vienna 2017, Photo: Peter Mochi

Key, 2017

Georg Petermichl, vase Ai Wei Wei color, 2017, hand enlarged C-print from medium format negative, mounted on PVC, 49 × 42 cm (53 × 44 cm framed with Museum Glass), edition 3+1, Photo: Peter Mochi

vase Ai Wei Wei color, 2017

Georg Petermichl, vase Judd shape, 2017, hand enlarged on baryta, mounted on PVC, 49 × 42 cm (53 × 44 cm framed with Museum Glass), edition 3+1, Photo: Peter Mochi

vase Judd shape, 2017

Georg Petermichl, vase Texas color, 2017, hand enlarged C-print from medium format negative, mounted on PVC, 49 × 42 cm (53 × 44 cm framed with Museum Glass), edition 3+1, Photo: Peter Mochi

vase Texas color, 2017

Georg Petermichl, vase Texas vessel, 2017, hand enlarged on baryta, mounted on PVC, 49 × 42 cm (53 × 44 cm framed with Museum Glass), edition 3+1, Photo: Peter Mochi

vase Texas vessel, 2017

Georg Petermichl, Shelf, 2017, detail: private library Donald Judd, Marfa, compartment „Universe“ with 21 books, 104 × 70 × 40 cm, installation view, New Jörg, Vienna 2017, Photo: Peter Mochi

Shelf, 2017

Georg Petermichl, O.T. (After Pirelli, Manfred), 2016/2018, Lambda-print, framed with mirror-coated spacer, 80 × 120 cm, ed. Fotohof Salzburg 2+1, Photo: Peter Mochi

O.T. (After Pirelli, Manfred), 2016/2018

Georg Petermichl, installation view, SIDESHOWBOB, Tiroler Künstlerschaft, 2015, Photo: Georg Petermichl

Installation view, 2015